What a woman - born 1722 in the Scottish Hebrides, her life is well documented. Her passion for a Scotland free from the iron grip of the English led her into many adventures and many troubles - not just risking her life to save the Prince, but also spending time locked up in the Tower of London on a charge of treason. In the 1770s she lived for a time in North Carolina with her husband and children, only to be caught up in the War of Independence, and then surviving a raid by pirates on the return journey to Scotland. By any account she was an extraordinary woman, and her legendary place in Scottish history is well deserved. And hardly surprising either that there is a mystique and aura about her, that continually fuels the fires of independence, resilience and fierceness so part of the the Scottish identity.
In this novel, the Australian author has taken the bones of Flora's life and created a rollicking good read that will appeal to a wide variety of readers, and not just those of Scottish descent or can lay claim to being descended from a MacDonald of the island of South Uist of the Outer Hebrides. She will be forever known as the saviour of Prince Charles Edward Stuart, aka the Young Pretender, and this is the central narrative of the story. Plus what would a good historical novel be without a bit of romance and bodice ripping in the Scottish highlands surrounded by heather and blustery winds? The background to all this however is just as important to the story. The author has thoroughly researched the history of the time - King George II, his son the Duke of Cumberland whose army famously defeated Charlie at Culloden in 1846 and later known as the Butcher Cumberland for his murderous treatment of the Scottish after this uprising, Benjamin Franklin, Samuel Johnson, the American War of Independence - all in very rich and exciting detail.
Comparisons of the author's style of writing have been made with Phillippa Gregory (The Other Boleyn Girl) and Alison Weir who both write historical novels from the view point of key characters. As a result, fact is used as the starter for the story, but is not necessarily 100% factual in its content. The key word here, emblazoned on the front cover of such books is 'a novel'. A great starting point for further research and reading. For me, the key point of such historical novels, is that we learn so much about stuff - these books are page turners, they draw us in, real people and real events become vivid in our imaginations, such writers make history come alive. How clever is that! And more importantly, provide background to the nature of the world we live in now. For example, why did thousands leave Scotland from the mid-18th century onwards for the greener pastures of unknown lands in America, Canada, and New Zealand? Aside from the weather...
This is a terrific story, well told, great characters both good and bad, and in the light of the referendum that took place last year for Scottish independence very timely. The relationship between the two nations may be cordial now, but it has not always been so, in fact many times over the centuries completely the opposite. Such a story makes me very proud of my Scottish heritage, and has sparked a wish to go to the Hebrides. My only criticism? Some pictures of Flora and Charlie would not have gone amiss, and a couple of maps would also have helped greatly in conjuring up images of the intrepid journey Flora and her prince made.
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