Ooooh yes,
another great story from William Boyd, like putting on a comfy pair of slippers
and sitting down with a cuppa, fully confident it won’t be time wasted. Any Human Heart was a marvellous story,
the life of Logan Gonzago Mountstuart, born at the end of the 19th century,
died nearly 100 years, and so has a life that touches so many historical
moments of the 20th century. In Sweet
Caress he does much the same thing with the life of a woman, also born at
the end of the 19th century, dying nearly 100 years later. Amory
Clay, so called by her father because he wanted a boy, leads a most unconventional
life for a woman born at this time. Feisty, smart, independent, and not defined
by anybody or anything, Amory becomes a photographer, allowing her to move
freely in the worlds of both men and women at a time when roles were much more
strictly defined, and so have a life, much like Mountstuart’s that records and
documents many 20th century moments and events.
So Amory
finds herself caught up in Berlin prior to WWII, caught up in London’s fascist
riots, then on the front line with the allies during the war, living and working
in New York, falling in and out of love, taking herself to Vietnam when she
finds herself widowed, and still taking photos as an elderly woman. Through out
the book there are photos, real photos, that illustrate so perfectly the fictional
events taking place in Amory’s life. Apparently he had the bones of Amory’s story, and set about scouring antique shops
and estate sales for photos that would tie in with his story. It is wonderful
and makes both the story and the photos far more meaningful.
I really
liked Amory Clay, her attitude to life, driven both by her heart and head. She
is a very real person, makes mistakes, has many regrets and many joys just like
most women. Boyd captures the essence of a brave, strong and loving, nurturing
woman who has the most marvellous life. A life well lived.
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