Karen McMillan is a North Shore, Auckland based writer. She has previously written, to popular acclaim, two novels themed around WWII in Poland and America - The Paris of the East and The Paris of the West. This novel is quite, quite different in every possible way from her two previous novels. The writer has tapped into the now getting a little worn theme of 'woman losing memory', focusing on Rebecca, who loses the memory of ten years of her life, from her 32nd birthday to present day. She is now 42, when she wakes up in hospital, concussed from a fall down some stairs. She is still married to Daniel - a once successful NZ rock star now music tutor, lives in Browns Bay on Auckland's North Shore, and works in the city in some sort of graphic designer capacity.
In the ten year period that she can't remember, many things happen to her and Daniel - illness, death, loss, good times and bad times. None of this of course is known to Rebecca when she wakes up, seeing her adorable and adoring husband by her bed, her best friend Julie, life is peachy, other than a bit of a headache. Not so. The novel, of course, then sets about revealing what has really gone on in those ten years, working towards a well managed climax, and subsequent resolution. Well crafted then, with plenty of tension, some curve balls, a mysterious stalker, the horrible boss, ageing parents, health issues, and at the core of the novel, the state of Daniel and Rebecca's marriage.
So much of this novel is good, with a straight forward story, some very insightful writing on grief, the nature of memory, the brain recovering its memories, the complications of every day life and relationships, and especially the sections on Rebecca's serious brush with breast cancer, which I understand are strongly based on the author's own experience of breast cancer. I learnt a lot, not just about the physical experience of the disease but also the emotional experience. Very, very good.
But, for me, and I stress most strongly that this is my own personal reaction to this book, it is just average. There are a number of unfinished threads, and I just could not relate to Rebecca or Daniel. I couldn't understand, and there is no explanation in the book, why such a talented and successful artist as Rebecca was ten years ago, is now working in some horrible unpleasant design firm doing reworks of work she has already done; we never find out how the accident happened even though decent sized chunks of Rebecca's thoughts are taken up with this mystery; how serious is this head injury, how long had she been in hospital for, concussion can take months to recover from - she is back at work seemingly full time two weeks after she becomes conscious again with nothing but the odd headache.
I honestly thought Daniel was pathetic, a wimp of a man. He can't bring himself to tell his wife of one terribly tragic event, or that they were on the verge of separating, because suddenly, what-ho, his newly conscious wife is a sex-goddess! What man in his right mind would want to lose that! Best friend Julie is by far the best character. Forever berating Daniel for his inability to talk to his wife, she spends most of her time protecting Rebecca from herself, looking after Rebecca's elderly mother in the rest home she works in, and generally trying to keep one step ahead of all those around her. And I am being oh-so-picky here, but I couldn't stand Rebecca being called Rebs. Google it - and you will see why.
This is a very Auckland-city novel, depicting the city's love affair with real estate - big modern homes and quaint Devonport villas, cafes, the hideousness of the transport infrastructure, the whole glossy magazine feel about the place, the people, the lives they lead. Even though I live in Auckland, I found all this quite cliched and cringing. We get this in the papers, on TV and media every single day, surely there are other aspects of the city that the author could also have found to illustrate her novel. It reflects what I feel overall about this novel - that despite the serious and important themes, much of it lacks depth and insight, too glib, things are just brushed over instead of going just a little deeper. There will be people who love this, I appreciate that, and for an easy, lazy Sunday afternoon read, it will definitely fill the gap.