THE GODFATHER by Mario Puzo

How I love revisiting old favourites. And when the film of the book is also in your top 10 - even better. The story is so well known there is no point in detailing that. But one can't help compare the film with the book, the book with the film, how some parts of the book are better than the film, and vice versa. The beheaded horse in the bed is one of those images that is forever associated with the movie, so visual, so graphic, so horrific. And yet I found the way this whole scenario was written about -  the lead up to it, the personalities involved, the slow applying of the screws, the inevitability of what was going to happen - far more frightening and evocative on the page than it is on the screen. I also loved how Vito Corleone's early life in Sicily, his escape to New York and the beginnings of the family powerhouse are narrated and developed. How Vito and then in turn Michael put the Family before everything else, how they come to this realisation and then act on it. The movies and the book are absolutely interchangeable with each other. Perfection. 

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